Systems · Automated Performer Tracking

VYV Copernic

Active optical tracking built for projection — emitters the mapping engine can trust, at hundreds of units of scale.

What it is

Copernic, from VYV, is an active optical tracking system: performers and objects carry active emitters that the system tracks in real time, purpose-built to drive projection mapping that stays locked to moving targets. It outputs PSN for the rest of the rig and has been deployed at serious scale — installations running 250+ emitters simultaneously.

How we work with it

We spec and integrate Copernic on projection-led productions: emitter strategy per performer and set piece, the alignment between the tracking space and the projection space, and PSN routing so lighting can ride the same data video trusts.

Emitter assignment for performers and scenery

Tracking-to-projection space alignment

PSN routing to lighting as a secondary consumer

Scale planning for high emitter counts

The honest read

Right when

  • Projection mapping on moving performers or scenery is the show's centerpiece.
  • The emitter count is large — the platform is proven at hundreds of simultaneous targets.
  • Video's accuracy requirements lead the spec and lighting rides along.

Look elsewhere when

  • Lighting is the only consumer — UWB or followspot-derived sources get there with less infrastructure.
  • Sightlines are chronically obstructed; active optical still needs to be seen.
Common questions

Copernic or BlackTrax?

Both are optical. Copernic is projection-centric — built by a projection company, tuned for mapping engines, proven at very high emitter counts. BlackTrax leads with multi-department RTTrP distribution and 6D data. If video is the primary consumer, Copernic makes a strong case; if lighting and video share equally, compare both against the venue's sightlines.

How this data reaches the rig
PosiStageNet
Also in the stack
ZactrackBlackTrax
For shows in planning — or in trouble